Shadespire Ruins

I’ve still been mostly keeping my head down for the past few weeks, working on making new terrain and filling orders. That doesn’t mean that I haven’t done anything non-terrain related. I have been getting in a small amount of tabletop gaming time here and there.

One game that I recently got into, almost on a whim, is Shadespire. I plan on writing more about it some other time, but suffice it to say that it’s already become one of my current favorite games. Shadespire is a fast-paced, tense, tightly-designed, highly enjoyable experience that all comes in a neat little package (plus a bunch of expansions that you’ll probably want to get as well).

Gameplay aside, Shadespire also provided me with an excuse to make some new terrain pieces:

3D terrain pieces are not required to play, and I’m not the first one to make something like this, but they to enhance the experience and kick it up a notch, even when unpainted like the ones in these photos.

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Some Thoughts on Castle Panic

The guys and I got in a game of Lords of Waterdeep using both modules (aka, expansions) last night. Long story short, despite getting to play as my favorite lord, the Xanathar, I came in next to last.

Before playing LoW, we got in our first play of another game, Castle Panic, a semi-cooperative tower defense simulator with a generic fantasy theme. “Tower defense” is a genre of video games in which you use static defenses to repel wave after wave of enemies as they encroach upon your territory. There’s a bit more to it than this, and different games naturally put their own wrinkles and twists on the mechanics, but that’s the general idea.

 

Behold the, uh… I was going to say “marauding horde,” but “manageable crowd” is probably more accurate.

 

In Castle Panic, your static defenses consist of three concentric rings surrounding your castle at the center of the board. A horde of monsters assembled from conventional fantasy tropes (goblins, orcs, and trolls) advances through ring with the goal of tearing down your castle one wall at a time. Within a given ring, the invaders are vulnerable to attacks by only type of unit (archer, knight, or swordsman). On their turn, players draw cards which determine which types of units they can use to attack, or which grant a variety of other special abilities.

The game is mechanically sound, which I think sums it up pretty well. It works, and it’s playable, but there’s not really much more to it. The theme is not only generic, but pretty much pasted on. You could easily switch it to any other genre; it would feel exactly the same if instead of a horde of green-skinned humanoids, it was a mob of space aliens, zombies, or rampaging kittens rushing towards you. There are a few boss monsters with unique abilities, but there’s really nothing else that differentiates goblins, orcs, and trolls from one another besides the number of hit points they have.

Along the same lines, there’s no thematic rationale as to why units of a given type can only attack monsters within a specific ring. During the game, I quipped that the knights are unable to turn their horses around to attack enemies that make it past them and that the  archers couldn’t wrap their heads around the concept of firing their bows at point-black range. There are also boulders that randomly appear when their card is drawn which come careening down from the forest, crushing any greenskins in their path before crashing into your castle and wrecking one of your precious walls. It’s a fun little mechanical twist, but I think a rampaging dragon that comes screaming from the sky raining indiscriminate death and destruction would have been more fun thematically than a boulder.

More importantly, while it replicates some of the core mechanics of digital tower defense games, Castle Panic misses the mark in some crucial ways. There’s normally an ebb and flow with tower defense, a tension that intensifies as time goes on and which builds to a panic as you wonder whether the defenses you’ve placed will manage to hold the line. One way that tower defense games create this experience is by starting players off with basic defenses, allowing them to unlock more powerful ones as time goes on. Likewise, the difficulty of the monsters scales at more or less the same rate.

Castle Panic is a cooperative game, so the players all win or lose together (although at the end, the player who scores the most points based on number and type of kills is awarded the title of “Master Slayer”). Once you draw your cards, combat is deterministic and players can trade freely during their turns. The upshot of this is that rather than being a frenetic scramble to make good decisions while under time constraints, turns instead morph into a puzzle to be solved as players figure out the optimal way to use the cards that are currently available to them. And rather than tension that steadily ramps up, the game goes through fits and starts, as the types and number of monsters that appear is randomly determined, and it’s possible that you can either clear out swathes of enemies during your turn or remain completely idle depending on what cards you draw and what your allies have to trade.

The pressure to act quickly could easily be created by using a timer. The lack of flow could have been avoided if, rather than all of the monsters and cards being mixed together, they were divided into several groups which are introduced over the course of the game, with each subsequent group being more powerful.

Probably the most powerful combo in the game. Play the Barbarian and then use “Scavenge” to play him again immediately? Yes, please!

 

I’m normally reticent about reviewing a game after having played it only once, but I feel that Castle Panic is simple enough for me to have gotten a good grasp of what it offers after a single play. Additionally, I don’t foresee this one hitting the table again so that I can gather more data anytime in the near future.

All this being said, does this mean that I think Castle Panic is a bad game? No. Everything works and it plays well; it just doesn’t have a lot of depth. Furthermore, a lot depends on how you approach it. For most gamers who would even be interested in reading a review like this, there isn’t really enough here to hold their attention for very long or to create a compelling gameplay experience — but this does not make it a bad game. Also, to be fair, despite the fact that we won, victory was uncertain until nearly the end of the game, and there were a few genuinely tense moments.

Castle Panic is a good choice to play with younger gamers. The theme is fun, and they won’t notice that it’s pasted on. The mechanics are easy to learn, and there are enough tactical decisions to make without it becoming overwhelming. It could also serve as a good intro to boardgames for gamers who are deep into the digital side of the spectrum: something they’re probably familiar with and that isn’t so complex that it turns them off to boardgames.

I have two takeaways from last night: 1) As long as your expectations are calibrated correctly, you won’t be disappointed with Castle Panic; 2) I probably need to play as someone other than the Xanathar.

It’s the simple things

This is totally a first world problem.

One of the pain points with King of Tokyo when playing the full game (which is the best way to play it, unless you’re playing with young kids or adults who are complete gaming neophytes) is having the components divided up among three separate boxes, each with a very specific layout for which parts go in which box, and where. This has always been a small irritation for me, particularly when putting the game away, as the process seemed to take longer and be more difficult than it should. A small irritation, but one that slightly mars an otherwise enjoyable gameplay experience.

I’ve owned King of Tokyo and both expansions for several years and have tried several times to come up with a solution to make setup and cleanup simpler and easier. I had found an organizer on Thingiverse a while ago, but I can be pretty dense sometimes. I finally got smart recently and printed it up. It works perfectly, allowing all of the game components to be stored together in the box for the base game, and allowing all types of similar components to be stored in a single compartment.

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Note that the organizer is nearly as deep as the box, so there’s a second layer of dice underneath.

 

I think the jigsaw design may be a bit over-engineered, because even without the interlocking tabs, once placed inside the box, the four parts of the organizer would have fit snugly inside with no room to slide around. Plus, I had a few issues with getting the parts to fit together smoothly (easily solved with a hammer), but this is likely attributable to shrinkage issues and other minor imperfections in the printing process. I also expanded some of the compartments by a millimeter in each dimension to allow a better fit for sleeved cards and to make it easier to put away the dice. Overall, a simple, elegant design that works great!

Merry Christmas and Happy Holidays!

I’m doing some traveling with my wife and daughter for Christmas this year visiting some family members that we don’t get to see that often. Part of this evening’s festivities was playing an ignominious little game that I will refer to only as “LCR”, a non-game “game” that possesses the exact same level of strategy and tactics as Candyland and Bingo (or, the i.e., none).

Although I felt like I was betraying my identity as a tabletop gamer in some way by participating, you make sacrifices for family. And even though LCR isn’t really a game, it was a fun diversion that managed to bridge the gap between young an old and be something that family members spanning four generations could participate in and enjoy together. And in this case, it probably did it better than any board game could.

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Oh yeah, my mom ended up winning the pot and decided to split it up equally between her four grandkids. 🙂

Some Thoughts on the GW-FFG split – Part 2

A little less than a year after it was announced that Fantasy Flight and Games Workshop would be parting ways, WizKids just announced that they’re partnering with Games Workshop to “extend the Warhammer 40,000 universe IP across multiple categories, including, Dice Building Games™, board games and more… WizKids will create two new board games, along with dice games based in the Warhammer 40,000 universe, with additional plans to republish classic board games Fury of Dracula and Relic.”

So, basically what FFG had been doing up until about a year ago. I think Nicolas Cage’s character in Con Air summed up my assessment of this new situation the best:

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In this scene, there’s a ’67 Corvette Sting Ray tethered to the back of a C-123 transport aircraft. While it’s in flight.

 

Nothing against WizKids (I really wanted to like D&D Attack Wing!), but in terms of board games and miniatures, they’ve always seemed like the store-brand alternative to the more expensive name-brand. I suppose if you’re a Trekkie you’d go for Star Trek Attack Wing over X-Wing Miniatures, but the general consensus is that X-Wing is the better game (both in terms of quality of the components and the game itself), and it’s certainly the more popular one. So for Games Workshop to be partnering with them less than a year after announcing their split with FFG seems like a major step down for them.

I had always assumed that it was GW that wanted to end the arrangement with FFG because I couldn’t see the upside of FFG wanting to break away, but maybe this wasn’t the case. Of course, I’m only speculating without the benefit of insider knowledge, so maybe there’s a perfectly reasonable explanation, similar to how the events of Con Air naturally led to a ’67 Corvette Sting Ray being tethered to the back of a C-123 transport aircraft while it is was flight.

Or hey, it’s 2017. We’ve got a pair of infantile man-children at the helm of two different countries playing chicken with their nations’ nuclear arsenals, the Cubs have a shot at winning the World Series for a second year in a row, and Princess Leia is dead*. Maybe GW partnering with WizKids instead of FFG is just part of the new normal.

 

*I’m not speculating on Leia’s fate based on the trailer for The Last Jedi that was recently released; I’m referring to Carrie Fisher. Still haven’t gotten over that one.

Some Thoughts on Lords of Waterdeep

At just over five years old, Lords of Waterdeep is a modern classic — which is a polite way of saying that, in boardgame years, it’s kind of old. On the other hand, considering that it’s still being played five years later demonstrates that it’s withstood the test of time thus far; personally, I’ll rarely turn down an opportunity to play it.

We had six guys at our recent game night — slightly more than our usual four or five. Most of the games in our respective collections top out at five or less. Furthermore, Ty was joining us the first time, so we wanted to avoid jumping too far into the deep end right away. These parameters narrowed down our options pretty significantly. Fortunately he did have some prior gaming experience (including playing D&D), so Lords of Waterdeep fit the bill perfectly.

At its core, Lords of Waterdeep is a fairly straightforward worker-placement game. Each player, taking on the role of one of the hidden (as in, secret) lords of the City of Splendors, sends their agents out to various locations around the city to recruit adventurers to go out and complete quests. The rewards for completing quests normally come in the form of influence over the city, represented by victory points, but they can also take the form of gold or even additional adventurers. Taking a page from Ticket to Ride, each player is randomly assigned a lord at the start of the game which gives them bonus points at the end, typically based on types of quests completed, but there are a few exceptions.

There are five basic resources in the game: four types of adventurers (fighters, rogues, clerics, wizards) and gold coins. Each quest requires a specific group of adventurers, and frequently a sum of gold as well. Gold is also used to purchase buildings — other locations around the city where agents can be sent in order to recruit adventurers, earn gold, or gain other types of benefits, ranging from the relatively mundane to the quite powerful. Of course, this being a worker-placement game, there is also a sixth resource, the most precious one of all, hidden in plain sight: the number of actions available to you over the course of the game, represented by the number of agents under your control. Each player has the same number of agents throughout the game, but there are a few ways to do some “sequence breaking” and acquire additional actions.

Everything functions within a fairly tight set of parameters. Although not explicitly stated, there’s a firm exchange rate in place on the relative value of adventurers, which can be seen with a little effort by comparing the number of adventurers required to complete a quest with the rewards that it yields. Essentially, two coins equals one fighter or rogue, and two fighters or rogues (or one of each) is equal to one cleric or wizard. The starting locations also bear this out, as you can recruit fighters and rogues in pairs at their usual hangouts, but only a single cleric or wizard at their respective locations. There’s also a starting location that earns you four coins.

There is a clear effort in the design to balance all of the moving parts and for the benefits of each action to be incremental and sometimes even beneficial for multiple parties. For example, when a player sends an agent to building, that player receives the reward for placing their agent there, but the owner also receives a small bonus as well. Likewise, Intrigue Cards will frequently provide a bonus to multiple players, not just the one who plays it. Even Intrigue Cards that attack other players aren’t terribly punishing.

The board is reasonably sized, but you’ll never have too much space available to play this game.

 

For those steeped in D&D lore (specifically, the Forgotten Realms campaign setting), the game takes on extra flavor and immersion. The quests themselves are fairly thematic. For example, a mission to break into an ancient crypt is primarily rogues’ work, but a wizard or two may be necessary in order to assist with any magical dangers that may be present.

On the other hand, a common criticism of game is that the theme feels tacked-on. This is a fair assessment, and something that will be felt most acutely by those who are not familiar with the setting. Extrapolating from the name of a quest why a particular group of adventurers is needed requires a little imagination on the parts of the players, and being familiar well-versed with D&D, or fantasy tropes in general at the very least, is definitely helpful in this regard. Making the extra effort to refer to the cubes as the type of adventurers that they represent (not simply by their color) along with reading the little bits of flavor text that are present on the Quest and Intrigue cards will also go a long way for creating a sense of immersion.

The tight design of Lord’s of Waterdeep, whileone of its greatest strengths, is also an easy target for criticism. For all of the flavor present in the quests, there really is no differentiating one type of quest from another. Sure, Piety quests will typically require clerics and Skullduggery will require rogues, but they’re all simply worth points in the end based on a fairly straightforward calculation and they are mechanically identical; the only reason to choose one over another is based on the particular lord you’ve drawn and the types of quests they earn bonus points for.

The burdens that accompany the role of being one of the hidden lords of Waterdeep proved to be too much for Spike.

 

Expansions
Lords of Waterdeep has two expansions available (or “modules” as they are referred to within the game, a nod to classic D&D lingo): Undermountain and Skullport. Both come in a single expansion set called Scoundrels of Skullport (a questionable marketing move since by focusing on “Skullport,” the name downplays the fact that there are two expansions present in the package).

Undermountain is basically what Prosperity is to Dominion: no changes to core mechanics or gameplay, just more of it, bigger and better. It adds a new section to the board with several powerful areas where lords can send their agents, along with bigger quests that require larger groups of adventurers going for bigger payoffs, and more expensive buildings that provide greater benefits to their patrons. It adds a new layer of decision-making: is it better to complete several lower-point quests, or go for more difficult but higher-value ones? Worker-placement games are fundamentally about action economy and determining optimal moves. It takes fewer actions to complete a single higher-value quest, but it requires more actions to recruit the requisite number of adventurers, so it’s not always clear which is the better decision.

I’m not sure if there’s a direct Dominion analog for Skullport. Alchemy would probably be the closest because, as with Alchemy, Skullport also adds a new resource type and with it, new mechanics: corruption. “Resource” is actually a misnomer because, while it must be carefully managed, it’s a negative side effect that comes frim sending agents down into Skullport, the seedy (literal) underbelly of Waterdeep, represented by another separate board with new starting locations, or by participating in particularly unsavory actions (new quests and Intrigue Cards). The payoffs for sending your agents to these places is significantly greater than for sending them to the more reputable parts of the city, but they come at a steep price — represented by subtracting victory points for every corruption token that you possess (or does they possess you?) at the end of the game. In a really clever example of game design, the tokens start out on a corruption track and are removed as players earn them, revealing a progressively worse negative value for each token. A small taste of corruption can help an ambitious lord get ahead; too much will easily bury him or her in the end. As with Undermountain, Skullport introduces its own set of new buildings, quests, and Intrigue Cards.

Each expansion adds three new lords to the game, with benefits that are more interesting than the standard “earn 4 victory points for these two types of quests” from the base game. In our gaming group, we have a house rule where we divide the lords according to whether they come from the base game or the expansions. Each player is randomly given one from each group and chooses the one that they wish to play as. My personal favorite is the beholder crime lord of Skullport known as the Xanathar.

In a nearly complete inversion of the corruption mechanic, and one of the rare instances where the mechanics and theme of using a particular lord converge, the Xanathar actually scores 4 VP for each corruption token at the end of the game. The catch is that he still takes the penalty as well. Effective play with the Xanathar comes down to making the most of locations and quests that confer corruption, carving out enough of a lead over the other players during the game in order to still be in the lead even after lords are revealed and bonus points for quest type are awarded. This is decidedly not how it turned out for me during my group’s last game.

I got the Xanathar! Oh, happy day.

 

We played the full version of the game, using both expansions, and I was thrilled that I drew the Xanathar as one of my lords. However, I ended up struggling to score many points during the game, due to a combination of some sub-optimal choices I made early on, as well as the vissicitudes of the game, particularly which quests came up. There was a relatively low number of the big 40-point quests that showed up, which meant that they were even more valuable when someone was able to score one. Despite having a fairly high number of completed quests none of them were of the coveted 40-point variety, and I finished in fourth place.

My resources and completed quests at the end of the game. Needs more points.

 

For almost the entire game, it appeared that Nick was going to finish closer to the bottom than the top. Nick has earned the reputation of being our resident game shark, so no matter who wins, it’s always at least a minor victory for everyone else as long as it’s not him. [Just kidding, Nick, you’re awesome! Please don’t take umbrage and destroy me even worse in whatever game we play next!] However, in the last round, he pulled off an impressive combo involving a couple of different Intrigue cards and Quests, rocketing past several other players on the score track, and finishing tied with Joe at a respectable 124 points after bonus points were tallied. Of course, being Nick, he ended the game with more coins in his tavern than Joe, winning the tie-breaker and the game.

Although it wasn’t a very good showing for me, I got to make some fun plays over the course of the game. I drew an “Open Lord” Intrigue Card early on. Playing it meant that I revealed to everyone that I was, in fact, the Xanathar, but it also made me immune to Mandatory Quests and other attacks from the other players for the remainder of the game. I was also able to complete the “Unleash Crime Spree” quest during my final turn, true to form for the Xanathar and a (im)moral victory at least. I may not have won, but I got to tell a fun story with the quests that I completed.

It was an enjoyable game with an exciting and unbelievable ending, and I’m happy to have logged another play with this classic.

 

My copy of Clank! arrived today

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In between dinner and bedtime (our daughter’s, not ours), we sleeved and prepped the game as a family, and my wife and I got in a few rounds of play, with the girl spectating off to the side. Our first impressions of this game are good. It’s always a plus when I find a new game that my wife genuinely enjoys. We would’ve played more, but my daughter protested the idea of missing out on “discovering the game together as a family” (her words) so much that I promised her we’d wait until tomorrow morning so that we could all play it together.